. She and Skarsgård are both up for anything, and their willingness to push the limits draws us in to the building madness., Cronenberg's previous film. James's predicament is actually less sympathetic, because everything happening to him is a result of his bad decision-making, starting with joining Gabi and Alban for a trip outside the concertina wire.
More revealing is James's insecurity, which is clearly relatable to anyone who's received criticism for somehow not earning their position. Like, say, the son of a famous director. He need not have worried. Cronenberg's inherited his father's affection for body horror, but is for the most part a more conventional storyteller. succeeds in spite of its predictability, thanks to the charisma of its leads and some imaginatively monstrous imagery. Cronenberg's style is at times more of a kind with Panos Cosmatos than his old man, but he's also carving out an aesthetic all his own.
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